Thomas Hudson (1701 - 1779) was an English portrait painter in the 18th century. He was born in 1701 in the West Country of the United Kingdom. His exact birthplace is unknown. Hudson studied under Jonathan Richardson in London and against his wishes, married Richardson's daughter at some point before 1725.
Hudson was most prolific between 1740 and 1760 and, from 1745 until 1755 was the most successful London portraitist. He lived at Deep Cross, Twickenham.
Many assistants were employed by Hudson, to help with his paintings. Joshua Reynolds and Joseph Wright were students of Hudson. He retired toward the end of the 1750s. Related Paintings of Thomas Hudson :. | Portrait of John Perceval | Portrait of John Perceval, 2nd Earl of Egmont | Portrait of John Beard | wife of William Courtenay | Portrait of Alexander van Aken | Related Artists:
GREBBER, Pieter deDutch painter, Haarlem school (b. ca. 1600, Haarlem, d. 1652/53, Haarlem)Dutch painter. Together with Salomon de Bray, he was a pioneer among the Haarlem Classicists
Hermann Niggpainted Nigg Karl Lueger in historischem Kostum in 1876
Jan MatejkoPolish Painter, 1838-1893
He studied from 1852 to 1858 at the School of Fine Arts in Krakew and, during this time, started exhibiting historical paintings with the Society of Friends of the Fine Arts there (e.g. Sigismund I Bestowing Nobility on the Professors of the University of Krakew in 1535 (1858; Krakew, Jagiellonian U., Mus. F.A.). After studying in Munich (1859) under the history painter Hermann Anschetz (1802-80) and then briefly and less successfully in Vienna, Matejko returned to Krak?w, where he was based for the rest of his life. In 1860 Matejko issued an illustrated album, Ubiory w Polsce (later editions 1875 and 1901), a project reflecting his intense interest in historical records of all kinds and his desire to promote such interest among the Polish people in an effort to intensify their patriotic feelings. This role first became widely associated with Matejko with his painting of Stanczyk (1862; Warsaw, N. Mus.), the court jester to King Sigismund I (1437-1548), to whom Matejko gave his own features. The jester is presented as a symbol of the nation's conscience